评论:蝎子由德雷克

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德雷克的两种主流的艺术家,我可以想像拉过一个双张专金沙开户网址辑之一。另一种是,当然,米兰达·兰伯特,谁已进行了多年的持续伟大的国家流行专辑,使得所有她需要做的就是让一个较长的一个。而这正是她做了2016年的这些翅膀的重量,也是一年中最好的国家的专辑之一。至于德雷克,无论是查看更多的生活不出所料被扼杀了他们80分钟的运行时间的过程,但他们也便于管理,因为德雷克有很多在这两个功能和节拍制定者产生声音的旋转门的连接。对于双专辑,所有他所要做的就是想见做到这一点,但时间长一点。(确实,是比任何这些项目不再仅8分钟。)他没有做到这一点。相反,他大多是在去的节拍自己和令人困惑的下降查看”加勒比海风情和更多的生活的弯路进入英国污垢和南非的房子。正是我们需要的:其他文化II

没有其他主流艺术家带有尽可金沙开户网址能多的行李德雷克做,我发现自己不得不经常提醒人们如何伟大照顾自己没有完全相同的事物人本着“开始从底部”山水其中德雷克成为碰不得的后。The self-aware editor’s note released with the album addresses most of the main concerns about him, from complaints about authenticity (“DRAKE DOESN’T EVEN WRITE HIS OWN SONGS”; “DRAKE DIDN’T START FROM THE BOTTOM”; “DRAKE IS AN ACTOR”) to people unwilling to accept his mainstream-approach to hip-hop (“DRAKE SINGS TOO MUCH”; “DRAKE IS A POP ARTIST”; “DRAKE MAKES MUSIC FOR GIRLS”). It’s “I Love Kanye” from巴勃罗的生活一遍。它是双向的,而且我不认为既憎恨和球迷跌倒自己,以确保你真正得到他们恨还是爱他一个更分裂主流的艺术家。金沙开户网址我们能不能得到一点细微差别?批判性评价的位?不,当然不。夸张是在这些日子让你点的唯一途径。

这当然不利于事项PUSHA牛逼发布的“Adidon的故事”在五月,这种眼镜在已经皱起了眉头后公开处决十年的一个有趣的案例结束。Back to the editor’s note, “DRAKE TOOK AN L,” and he really did when he released “Duppy’s Freestyle” that quickly revealed how little ammunition he had against Pusha T outside a few bars (Drake positing that Pusha T isn’t a top 5 talent in G.O.O.D. Music’s roster was the dumbest thing I read all month, and this is from someone that dives into the comments sections of various platforms) and wasn’t able to directly respond to Pusha T outside of an Instagram post about the blackface. (Mentor J. Prince said that he advised Drake not to release his “overwhelming” response; I’ll believe it when I hear it.) So带有大量的论据来小报:“我没有从世界隐藏我的孩子/我躲在从我的孩子的世界“(‘无情’);“我已经看过这部电影一百倍,我知道它的领导/意识到有人得死的时候没有人会死了”(“生存”);“是啊,我轻皮肤,但我仍然是一个黑暗的黑鬼”(“不间断”);“所有第七集,没有乱七八糟”(“8出来的10”)。我爱“Adidon的故事”尽可能未来的家伙,但一个月后,它就像......我们可以关闭他妈的这件事了吗?有关的笑话被追授发布累了,速度快。(你知道还有什么有真的累了?术语“斯坦”。或者是,只是我吗?)

所有这一切放在一边 - 终于来了!- 我们可以谈谈音乐!除非,是不是真的有那么多谈。德雷克从来没有一个伟大的说唱歌手(虽然偶尔他演示了很大的敲击),或者一个伟大的歌手,尤其是因为他的困境并没有那么有趣,但更贴切,因为没有深度!On previous releases, these flaws were less evident either because he contrasted between them well (or else brought in a lot of other people’s voices to provide contrast), but here, he separates the two discs so that all of the hip-hop cuts are on the first disc and the R&B cuts are on the second, bringing those issues to light. (Plenty of artists usually go this route for their multi-disc releases, including the aforementioned Lambert, regardless of the fact that it sometimes leads to sequencing issues.) It’s too easy to say that him following girls and being promptly unfollowed by other girls isn’t a particularly riveting plot (“Summer Games”), but his flow has gotten really same-y over the years: “Sandra’s Rose” occasionally recalls “Weston Road Flows” and the following “Talk Up” brings “Gyalchester” to mind. It’s also weird that the R&B disc comes with so little hooks, something we used to be able to count on Drake for.

它并不能帮助德雷克真的很喜欢他的简约节拍,这到处都是这些天人们一旦想通了这是多么容易使一个。(This is the nadir/peak of the shift from music as a songwriter’s medium into a producer’s medium.) A few chords with any drum programming to let listeners know something’s happening in the background will always make for good house party music, plus slowed down enough they’ll make you think of the atmosphere of Canadian winters (see “Finesse”). Without the benefit of a “One Dance” or “Passionfruit” (PSA to listen toYaeji封面)或“振作起来,”大部分歌曲之类的只是模糊地相互尽管重复收听。德雷克的陷阱说唱爱,其中又以全面爆发的2015年与背部到后端发布如果你读到这你来得太晚了什么时间是活着不管事实,继续德雷克的陷阱说唱节奏从来没有区分自己的方式外,更致力于做捕猎。我们是从一个很长的路要走,现在“拿起电话”或“起鸡皮疙瘩”或“I服了低音”,但即使“的Jumpman”感觉就像一个梦给我。(Kathy, I’m so lost...this is empty, and aching, and I don't know why.) Speaking of Future, he’s uncredited on "Blue Tint," but each time I've heard it makes me yearn for a proper feature to help distinguish the song. By contrast, JAY Z appears on "Talk Up" and redeems his previous, disastrous feature on "Pound Cake."

There are songs that I foresee myself adding to a summer playlist, but for each one of those, we’re also treated to lowlights, from “Ratchet Happy Birthday” (good keyboard backdrop but also the worst hook ever conceived resulting in one of Drake’s worst songs, to say nothing of the overuse of autotune that simply doesn’t come off) to “Mob Ties” (why not just ask Migos to come onboard?) to “I’m Upset” (“I wanna see what is’ like when you get angry, okay?”). After years of featuring guests who sound like Michael Jackson (The Weeknd, Majid Jordan), Drake clears an unreleased vocal from the real thing for “Don’t Matter to Me." Elsewhere, his flow is surprisingly tight on “Can’t Take a Joke” and DJ Premier scopes out some gorgeous soul samples for “Sandra’s Rose” that does 40’s “Tuscan Leather” better than any beat here produced by 40. “Summer Games” strikes new territory for Drake as he mines the synth-pop sound of Italians Do It Better (think of the soundtrack for驾驶),并有“好什么,”当然,与一拍那么好,你忘了德雷克的其实就可以了。偷心“3月14日”结束与一些灰色的天空,唤起钢琴和弦专辑,以下热潮BAP上半年那肯定会是谁爱更多的个人削减批评的一大亮点。

德雷克的热心捍卫者指出,大多数90分钟怎么都不会坏,或者说人们没有让它生长他们。我想我们应该感谢他们不是那种人,说:“你只是不明白这一点”(因为没有什么与德雷克获得)。可以肯定的:大多数歌曲都还不错,他们只是无情的平庸和中速:无内径的组合配对和40 can’t come up with anything more interesting than a few synth fills on “Survival,” where Drake keeps letting you know how he won’t go off because it’s just an intro (how things have changed since “Tuscan Leather”, where he went off for 6 minutes with full awareness that it was the intro); he spends as much care on the proper verses of “8 Out of 10” as he does the choruses; for some reason, I expected 40 to go full Herbie Hancock circa-猎人头在“山顶”的结尾,而是他只是跳越一个小小的身影在结束了无处可去。

归根结底,这是在本来可以单打双专辑一长串的另一个项目。它是如此有趣的是,三嘻哈艺人释放多盘专辑,这是雷·斯雷默德这就是拿出最好的之一。令人惊讶的,因为我一直认为,二人似乎是由事故对他们的伟大的歌曲土地(“无类型”,“扔总和莫”,“黑色甲壳虫”),而且还因为SR3MM是一个三重专辑(尽管只有10更多的材料分钟的比)。它现在是一个敏感点,弹出的PUSHA T的7轨,21分钟的格式代托纳,但我渴望德雷克不太关心自己的流媒体数字和真正交付的专辑作为一个专辑,我指的是一个把它放在一金沙开户网址个谁的需求和回报听众坐在而不是挑挑拣拣的个人播放列表。再次提醒人们,更多的音乐并不意味着更多的生命。C