评论:DJ Koze的敲门声

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敲门is a sternly professional album by an artist who's typically more playful;一个我们已经知道的艺术家的演示卷轴是伟大的。2013的扁桃形结构is one of the best"艺术家专辑曾由一家房屋生产商生产。但是,尽管这一记录似乎是从自然景观中上升的,,敲门is constructed—a community planned around an architect's vision.幸运的是,few producers impose a more fearsome vision on their art than DJ Koze.

自2005年以来,德国人只发行了三张专辑,但他的伪经目录很广泛:一个DJ在2015年踢混合(辉煌)。a compilation from his Pampa label (inconsistent),a collection of sketches as Adolf Noise (fun).These releases are united by his personality.他是个迷幻药,顽皮的恶作剧者,喜欢室内音乐和嘻哈音乐SGT胡椒,,知悉扁桃形结构可能还有“的旋律”Moving in a Liquid"在这里。就像保罗·麦卡特尼,他的音乐以欣喜若狂、孩子气的喜悦为特点。你知道那一刻”黄色潜艇”when the sea captain with the megaphone exclaims"潜艇哈哈!“科泽用瓶子来推销那种纯真的感觉。我想不出他的目录中有哪一刻是讽刺的;甚至是他的阿卡佩拉封面我们是世界”from the Adolf Noise record doesn't make fun of the song but transmutes its communal ecstasy to drunken solitude.

There's no shortage of this feeling on敲门声,,但这一次,音乐似乎主要是关于科兹创造它的能力。From the opening swell of maudlin strings and cetacean bass,这张专辑的压倒性感觉来自于它的创作者对我他妈的是DJ Koze。”It doesn't feel like a symphony to God the way扁桃形结构做,而且他的大部分工作都是靠手肘摩擦来完成的,风险太大了。在这里,the thrills come from the enviable roster of guests (sampled artists like Bon Iver and Gladys Knight get full billing) and the way Koze incorporates his quirks and penchant for tearjerking into building their sky-high platforms.

大多数曲目都有歌手,and while minor indie stars like Matthew Dear and Milosh drifted through扁桃形结构like fellow travelers on the autobahn,here the songs are as much about the guests as the host.You can imagine how much fun Koze must have had calling up Lambchop's beautifully deadpan frontman Kurt Wagner for"Muddy Funster“and if you've ever heard a Lambchop song,you can share in some of that delight as you press play on the track and wait for him to start neuroting.90年代亚特兰大说唱团体“逮捕发展”的同前讲话,who hasn't been much in the spotlight recently but whom Koze calls up for the daisy-rap delight"秋天的颜色”就像塔伦蒂诺召唤屈伏塔Pulp Fiction.

Koze has the clout and the budget to nab most singers on the music-crit 电路,但他非常公平,与不太知名的客人一起创造奇迹。Sophia Kennedy帕帕的突破之星,有两个精彩的客人转弯,以及“This Is My Rock"the beat seems to shrink away from her in deference,就像Fela Kuti开始唱歌时乐队安静下来。“Moving in a Liquid"因为节拍和无名歌手艾迪·富马勒的互动,这里是最好的曲目,到目前为止,他们唯一的功劳就是这里。Koze介绍了这首歌,声音样本会安静一点,福姆勒开始唱歌,然后样品又站起来迎接福姆勒,就像一只狗冲回家迎接主人。几乎让人心旷神怡。

很少有制作人能像科兹这样了解自己的声音样本,和迪斯科的编辑捡起“唤起Luomo声乐城在它的声乐技巧的掌握。他一个字一个字地展示了格拉迪斯骑士的样品:我们都不想成为第一个…”她一开始口吃,在科兹允许她完成她的句子之前,歌词的全部悲伤击中了我们。他对这里的样品的处理不如以前那么抽象。扁桃形结构,,他歪曲了马文·盖伊或卡罗尔·金的无实体信件,直到他们传达情感而不是语言。He leaves Knight and Bon Iver unsullied,尽管邦伊弗的歌词足够抽象。

“拿起,“at six and a half minutes,是这里最长的赛道。这两者都指向了歌曲的方向敲门以及如何在下半年,当Koze真的让专辑铺开的时候,它感觉更像是一个集合,而不是景观的一部分。“Lord Knows"和“Baby (How Much I LFO You)"感觉像是在业余时间做的节拍,尽管他们可能在低风险的专辑上工作,在这里,他们感觉像夹在摩天大楼之间的棚屋。敲门大约和扁桃形结构,,但那张专辑的音轨更长,就像“拉杜卡那是纯粹的风景,给了唱片一些喘息的空间。有这么多事情发生,,敲门当它爬过最后三分之一的时候,会感觉太好了。

与前辈们相比,这张唱片的厚重最终使它远离了科泽唱片公司的王冠珠宝,尽管这比PAMPA的编纂或Koze的首次亮相早了很多。Kosi Comes Around.也许是他在小版本中表现出色的压力,所有这些都受到了极为广泛的欢迎,让科兹真正印象with this album.当你第一次按下播放键时,它就会很强,以后听的话就少了。这是一种专辑,你可能会发现自己不太倾向于一路播放,而不是滚动的跟踪列表和排队的歌曲,在任何时候,but there's enough great music here that you could have a new favorite song every day.B+